As we are going through the hottest season, Venice is overcrowded by flocks of “hit and run” tourists that are not well informed about the city and behave as they were wandering in a personal theme park, where every misdemeanor is allowed. We personally suggest to visit our beloved jewel in less busy periods, when you won’t risk meeting people who try to ride bicycles up and down the millennial bridges or, even worse, swim in the Grand Canal. If you can’t help but explore the

Graceful and flexible as a leaf of grass, light and evanescent as a floating bubble (he loves this similarity!), Gualtiero Salbego set foot in Venice, for the first time ever, in 1998, and since then he never left. At that time he was 26, and probably too shy to imagine his brilliant future as one of the finest artists in town. Born and raised in a small village of Veneto countryside, Gualtiero lived in a family that considered job as a primary source and sent him to work rig

Right in the heart of Dorsoduro, a few minutes from the Galleria dell’Accademia, there’s a small workshop that might go unnoticed by the most. Yet, it is a magnificent chest that contains an indefinite number of handmade convex mirrors. These unique objects, that originally had strong allegorical and magical meaning, were believed to ward off the evil eye and the witches curse. Found in people houses around XV and XVI centuries, they later worked as monitors in public spaces